Koľaj 22 is an underground cultural centre located next to the railway tracks of Poprad’s main station, in a former carpentry workshop. Over the past years, it has been regenerated by a collective of young people into a safe and open space for alternative communities in the region. The centre regularly hosts music and cultural […]
A Prussian railway workshop, a Cold War industrial wasteland, a contemporary socio-cultural center in the heart of Berlin Friedrichshain. The area is emblematic of collective and informal processes of creative transfomation reinventing Berlin’s urban landscape. The R.A.W. in Berlin-Friedrichshain was originally serving as a railway workshop in the XIX century. After being damaged during World War II and undergoing various transformations, it became a neglected wasteland in post-unification Berlin. In 1999, the RAW-Tempel association repurposed the site for artistic and cultural activities, aiming to create a vibrant hub for creativity and community engagement. In 2015, the Kurth Group acquired ownership of R.A.W. and recognized its potential for investment and urban development. Unlike other financial actors, the new owner aimed to respect the site’s identity and socio-cultural programs, giving long-term residents more control over their pre-existing properties. Establishing a participatory approach to urban planning, new plans for the R.A.W. Tower, a 100-meter-tall building, was set to be constructed starting in 2024. The project is intended to blend with older activities, integrating new offices, green areas, markets, and other services, with the R.A.W.’s role as a cultural institution. However, concerns about power dynamics and possible future compromises between top and bottom interests revolving around the R.A.W. might still challenge the current collaborations between the community and external investors.
Forgotten for almost a decade, the complex of buildings that once constituted the offices for the administration of statistics under the old socialist regime came to the center of the public discourse as a symbol of an across-the-board struggle for the right to the city of Berlin. Civic society actors and public stakeholders joined their efforts to put the unconditional selling of publicly-owned buildings to a halt, stressing the need to replace the monetary principle with the pursuing of the societal common good. The professionalization of bottom-up forms of activism claiming space for culture and diversity transformed the Haus der Statistik initiative into a large-scale project. This currently aims at regenerating the buildings to benefit local neighborhoods, refugees and cultural producers alike through the implementation of participatory practices of urban development.